| think critically about the future of the district. The district was the |
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| resource. The individual parts were significant as a collective whole. In |
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| other words, contiguous districts were significant as a collective whole, |
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| and should be protected in their entirety. It should be the primary, |
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| overarching principal in reviewing an infill project. She did not feel that |
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| the project at 1965 Washington, which was approved in 2003, should be |
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| their guide. It had been nine years, and that review held little relevance. |
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| It was the HDC’s understanding of the character and significance of the |
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| district that should predicate the design review for the project. New |
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| construction should respond to and protect the integrity of the overall |
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| historic district in much the same way that an addition to an individual |
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| historic building did. Infill buildings should relate to and strengthen the |
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| core characteristics of the district and compliment and support. New |
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| construction should build upon the story of the district through its design |
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| and landscape. Winkler Mill Pond had a discernible rhythm in massing, |
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| scale and siting. The home should not deviate in detracting from that |
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| manner with its elements, but appear as complimentary. Its massing, |
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| siting, height and floor area ratio should correspond to the contributing |
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| buildings within the district. It should support the viability of the adjacent |
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| historic buildings. While infill construction should be identified as being |
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| of its period of construction, it should not be so differentiated that it |
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| detracted from or visually competed with its historic neighbors. Within |
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| contiguous historic districts, compatibility was more important than |
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| differentiation. Infill design elements patterning texture and materials |
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| should reflect the aesthetics and the history themes of the district. What |
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| made buildings from different eras and styles compatible was that they |
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| shared the same underlying principals of space, structure, elements, |
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| composition, proportion, ornament and character. The project should |
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| contribute to that established narrative of the district; it should never skew |
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| excessive attention to itself to the detriment of the district. In her view, the |
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| fundamental interest of preservation could only be served if compatibility |
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| was given greater weight, since it alone allowed the City to sustain the |
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| historic character. In Standard 9, it was clear that the guidelines |
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| emphasized that new construction should be compatible with and |
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| harmonize with the size, scale, color, material, rhythm and character of |
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| the district. The proposed home clearly did not follow any of the |
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| aforementioned principals for good infill design and compatibility. She |
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| asked the members to please deny the present proposal, in order to |
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| protect and preserve the integrity of the Winkler Mill Pond Historic |
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| District. The Grand Hotel was never a part of Winkler Mill Pond, and she |
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| stressed that they should not put it there now. She stated that the future of |
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| the district and its integrity was in the HDC’s hands, and she asked them |
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| to please do the right thing. |
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